Tim Andrews, "Examination: Artist in the Garden," acrylic on canvas, 48" x 36"

Chuck Johnson, "The Carl Moore Man," oil on panel, 24" x 24"

Jed Jackson, "The Cult of the Supreme Being," gouache on board, 20 x 20 (29 x 29 with frame)

Terry Lynn, "I Am A Man," acrylic on canvas, installation, 40" x 60"

Matthew Thomas, "Ducked Off In That Light," oil/graphite on canvas, 93" x 57.5"

Michael Stanley, "World Wide Watcher," steel and bronze, 60" x 46" x 46"

Jason N. Miller, "Limp: In Chemtrail Contemplation of the Assassination of Sonny Bono," Purple Heart (wood), European Pine (wood), Poplar (wood), aluminum, steel, German Shepherd hair from "King" (age twelve), binder's twine, rubber, wool, stage blood, clear gel medium, labradorite (stone), cork, resin, sun faded plastic American Flag, paint brush, white paint symbolic of "white wash" media / governmental / secret operations coverup, Aspen Pine (wood), angle grinded master locks, pencil graphite, glass, turntable, dirt, dead grass, Jesus packing tape, personal desktop fan, painter's tape, ink, men's tie, thunder stick from the now defunct KB Toy Store, man skiing mobile from Heavenly Ski Resort in Nevada where Sonny Bono was found dead, unidentified fibers, biblical phrase sticker, synthetic hair, plastic tomato grate / produce container, chemtrail / geo-engineering dust, DNA of the Artist, angel sweat, miscellaneous artifacts of secret personal significance to the Artist. 3' x 2'

Nick Peña, "Anxious Creationist |ˈaNG(k)SHəs| |krēˈāSHən-ist| 1. a laureate of epistemological anxiety," watercolor/sintra/cyanotype, 46" x 46”

Matthew Thomas, "Am I Dead?," oil/bronze on canvas, 40" x 35"

Carl E. Moore, "The Morning Hunt," acrylic on canvas, 16" x 20"

Carl E. Moore, "The Gathering of Conspirators," acrylic on canvas, 30" x 40"

Eli Gold, "Production," cast iron and steel, 24" x 24”

Jan Hankins, "Cosmic Cycle," oil on canvas, 80" x 40"

Tom Murray, "We Are Getting There," acrylic on canvas, 24" x 18"

Kevin Mitchell, "Bromestic Violence," digital print, 30" x 44"

Jed Jackson, "The Most Beautiful Man," oil on copper, 12" x 12"

Richard Lou, "ReCovering Memphis: ReContexting Bodies," 2016, video installation, 33 minutes, Videographer & Still Photography: Kathy Barnes-Lou, Editor: Jacqueline Eva Quintanar, Director: Richard A. Lou

Richard Lou, "ReCovering Memphis: ReContexting Bodies," 2016, video installation, 33 minutes, Videographer & Still Photography: Kathy Barnes-Lou, Editor: Jacqueline Eva Quintanar, Director: Richard A. Lou

Jason N. Miller, "Corporatized Version of Native American Family," Wood, plastic Red Man snuff container, plastic tie carousel with one broken prong, severed cypress knee, nail symbolic of railroad spike, egg shell. 6" x 12”

Tim Andrews, "Contemplation: Artist in Studio," acrylic on canvas, 36" x 36"

Nick Peña, "Infinite Loop|ˈinfənit| |lo͞op|1. caught in a condition that can never be met," watercolor/sintra/cyanotype, 38" x 38”

Chuck Johnson, "Envy," oil on panel, 24" x 24"

Jan Hankins, "Avon Balling," acrylic on canvas, 46" x 24"

Chuck Johnson, "Three Guys Sitting Around Talking," oil on panel, 48" x 48"

Tim Andrews, "Do No Harm," oil on canvas mounted to wood panel, 34" x 29"

Terry Lynn, "Discarded," acrylic/mixed media on canvas, 35" x 29"